“An indispensable reference work, rich in documentation and interpretation. In rage against Julius occupation of Bologna, when he was driven out its citizens toppled Michelangelos colossal bronze statue of him from its perch on. “A superbly illustrated and meticulously documented volume.” Antonio Forcellino, an art historian and restorer, is a leading authority on Michelangelo. Claudia Echinger-Maurach is professor of art history at the University of Muenster. The tomb was installed in the church of San Pietro in Vincoli on the Esquiline in Rome after the Pope’s death. The book also catalogues fifteen sculptures designed for the tomb and more than eighty related drawings, as well as an extensive and up-to-date bibliography.Ĭhristoph Luitpold Frommel was a professor at the Università “La Sapienza” in Rome. The Tomb of Pope Julius II is a sculptural and architectural ensemble by Michelangelo and his assistants initially commissioned in 1505 but not completed until 1545 on a much-reduced scale. This book traces Michelangelo’s stylistic development documents the dialogue between the artist and his great friend and exacting patron Pope Julius II unravels the complicated relationship between the master and his assistants, who executed large parts of the design and sheds new light on the importance of neoplatonism in Michelangelo’s thinking.Ī rich trove of documents in the original Latin and archaic Italian relates the story through letters, contracts, and other records covering Michelangelo’s travels, purchase of the marble, and concerns that arose as work progressed. Authored by Christoph Luitpold Frommel, who also acted as the lead consultant on the recent restoration campaign, this volume offers new post-restoration photography that reveals the beauty of the tomb overall, its individual statues, and its myriad details. Repeated failures to complete the monument were characterized by Condivi, Michelangelo’s authorized biographer, as “the tragedy of the tomb.” This definitive book thoroughly documents the art of the tomb and each stage of its complicated evolution. In 1505, Michelangelo (1475–1564) began planning the magnificent tomb for Pope Julius II, which would dominate the next forty years of his career. In January 1545, Michelangelo Buonarroti finished installing the tomb of Pope Julius II in San Pietro in Vincoli, Rome. With contributions by Claudia Echinger-Maurach, Antonio Forcellino, and Maria Forcellino South Georgia & South Sandwich Islands (USD $)
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